John Wilson Bengough was a skilled artist and cartoonist, but he was also skilled with words. This appeared in Single Tax Review, Winter 1906.
“PROPUTTY.”
(For the Review.)
A LECTURETTE IN RHYME.
I took up my Tennyson lately and read his dialect verse
Of the sturdy old “Northern Farmer,” whose soul was in his purse;
How he berated Sam, his son, who wanted to marry for “loove,”
And the folly of such a notion sought earnestly to prove.
“ ’Ear my ’erse’s legs,” says he, “as they canters and canters awaay,
Proputty, proputty, proputty—that’s wot I ’ears ’em saay!”
“Proputty, proputty, proputty”—that was the only thing
That to him was of real importance concerning a wedding ring.
Gentleness, truth and sweetness; a pretty figure and face,
These, and a passionate love, are all very well in their place;
But to be of any account in blushing, prospective brides,
“Proputty, proputty, proputty”—that must be there, besides!
Now, to many who read the poem this Northern Farmer seems
A sordid old grasping wretch, who only of riches dreams;
“Proputty, proputty, proputty.”—so runs his one refrain,
“Proputty, proputty, proputty”—hoarding, profit and gain.
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